RED SCARLET-W 5K DSMC2 HUGE KIT, 512GB, LCD, HANDLE,IO EXPANDER,LENS,READY2SHOOT

Description

RED SCARLET-W 5K DSMC2 HUGE KIT, 512GB, LCD, HANDLE,IO EXPANDER,LENS,READY2SHOOT
RED SCARLET-W 5K DRAGON W/MOTION MOUNT- CINEMA CAMERA
LIQUIDATION!!! A MOVIE PROJECT IS OVER, NOW YOU CAN BENEFIT!!!
CHECK OUR IMPECCABLE FEEDBACK FOR MORE THAN 17 YEARS SELLING HIGH END PHOTOGRAPHY EQUIPMENT ON EBAY!!!
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WE WILL WORK WITH INTERNATIONAL BUYERS, VERY FLEXIBLE AND HAVE A LOT OF EXPERIENCE WITH INTERNATIONAL SHIPPING.
EVERYTHING IN THE PICTURES AND LIST IS INCLUDED!
PERFECT WORKING CONDITION Red SCARLET-W DRAGON 5K
This is a perfect working RED SCARLET-W DRAGON 5K CINEMA CAMERA, the firmware has been updated with the latest version, it has been used for a project that never finished. This camera has low hours. It has no signs of use, was well cared for and works perfectly. This is a great studio package to get you going, someone’s loss is your gain! Don’t pass up this opportunity!
This camera was kept inside a studio and never was used outside, it works PERFECTLY.
This is a huge package easily worth ,000.00
Items included
EVERYTHING IN THE PHOTOS IS INCLUDED PLUS MORE!
I will transfer ownership,
READY TO SHOOT KIT, WITH LOW HOURS!!!
Package insured against loss
1)
RED SCARLET-W DRAGON 5K
2) MINI-MAG Side SSD
3) 512GB RED MINI-MAG Card
4) 1 x REDMINIMAG MINI READER
5) RED DSMC2 PL MOUNT (allows you to use PL lenses )
6)
Red Digital Cinema DSMC RED MOTION TI Canon Mount
(allows you to use Canon Lenses!!) Read specs at end of list below
7)
RED DSMC2 TOUCH 4.7" LCD
8) BRAND NEW RED DSMC2 OUTRIGER HANDLE
9) BRAND NEW Pelican Case (Water tight, Air tight, pressurized, Shock proof)
10) Pelican Case Foam
11) RED DSMC2 VLOCK IO EXPANDER
12) VMOUNT BATTERY (Super compact high powered)
13) Second VMOUNT BATTERY (Super compact high powered)
14) VMOUNT CHARGER
15) CABLES
16) OLPF
17) AC POWER ADAPTER
18)
Adjustable Arm
19) Russian lens: Helios-44-2 2/58mm.It's lens converted for PL Mount by a professional lens technician. Fine adjusted for correct work with cameras PL-mount.
Focusing in full range, including infinity. This lens was developed basing on Biotar 2/58 (Carl Zeiss Jena) lens. Helios 44-2 58/2 provides very vivid, contrasting and enough sharp images. Images taken with this lens are airy and have a nice and a little bit swirly bokeh.
Resolution by the lens technical passport: 38/20 lp/mm, GREAT FOR MOVIE MAKING, USED WITH ARRI AND RED)
20)
Red Digital Cinema DSMC RED MOTION TI Canon Mount (00 at Adorama)
About RED Digital Cinema DSMC RED MOTION TI Canon
The RED MOTION MOUNT Ti Canon (Captive) pushes the limits of what is possible under virtually any motion capture scenario. Its a finely tunable neutral density filter over a wide range of stops. Its a global shutter that prevents partial illumination with strobes and shearing with fast subjects. Its a time filter that renders sharper yet smoother pans, artifact-free cyclical motion, more natural motion blur, and reduced or eliminated flicker with lights and electronic displays. Most importantly, all of this can be achieved using a drop-in titanium lens mount that preserves your existing camera and workflow. The DSMC RED MOTION MOUNT Ti Canon (Captive) features captive mounting screws, so youre never searching for hardware.
Variable ND
The RED MOTION MOUNT integrates an intelligent neutral density (ND) system into its design, allowing you to electronically adjust your ND levels for precise exposure. Through the on-screen controls of your RED EPIC or SCARLET, you can finely adjust your ND opacity up to 2.4 ND, instead of having to interchange work around the predetermined values of ND glass filters. This technology encourages you to work faster and lighter by reducing the need to overload your matte box.
Global Shutter
The RED MOTION MOUNT also has a mode that behaves like a global shutter. When working with strobes or fast subjects, this mode reduces partial exposure issues and provides more consistent illumination for every frame. Skewed and smeared artifacts become imperceptible as the RED MOTION MOUNT fundamentally changes the way your camera captures light.
Soft Shutter Filter
Cleaner pans, less cyclical motion artifacts, and no flicker - thats what you can expect from your image with a RED MOTION MOUNT. The built-in time filter system eliminates many of the troubles associated with traditional motion cameras and elevates the quality of all of your imagery. With more natural motion blur and no more flickering displays or lights, the RED MOTION MOUNT brings your digital image closer to human eyesight than ever before.
Note: In ND Only mode, if the MOTION MOUNT is set near the end of its ND range and used with a very wide aperture you may notice a modified out-of-focus field (bokeh), and possibly some vignetting at the edge of the image with smaller image circle lenses. We recommend that you do not shoot past 4 stops of ND on the mount if you are shooting wide open.
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TECH SPECS
SCARLET-W 5K
SENSOR TYPE
RED DRAGON 13.8 MP Super 35mm CMOS
EFFECTIVE PIXELS
5120 x 2700
SENSOR SIZE
25.6 mm x 13.5 mm (Diagonal: 28.9 mm)
DYNAMIC RANGE
16.5+ stops
MAX DATA RATES
Up to 170 MB/s using RED MINI-MAG
MAX FRAME RATES
1
50 fps at 5K Full Format (5120 x 2700), 60 fps at 5K 2.4:1 (5120 x 2160)
120 fps at 4K Full Format (4096 x 2160), 150 fps at 4K 2.4:1 (4096 x 1728)
150 fps at 3K Full Format (3072 x 1620), 200 fps at 3K 2.4:1 (3072 x 1296)
240 fps at 2K Full Format (2048 x 1080), 300 fps at 2K 2.4:1 (2048 x 864)
PLAYBACK FRAME RATES
(PROJECT TIMEBASE)
23.98, 24, 25, 29.97, 47.95, 48, 50, 59.94, 60 fps, all resolutions
REDCODE SETTINGS
RANGE FROM 2:1 UP TO 22:1
1
4:1 REDCODE for 5K Full Format (5120 x 2700) at 24 fps
7:1 REDCODE for 5K Full Format (5120 x 2700) at 50 fps
3:1 REDCODE for 4K Full Format (4096 x 2160) at 24 fps
6:1 REDCODE for 4K Full Format (4096 x 2160) at 60 fps
REDCODE RAW
ACQUISITION FORMATS
2
5K Full Format (5120 x 2700), 2:1, 2.4:1, 16:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
4K Full Format (4096 x 2160), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
3K Full Format (3072 x 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
2K Full Format (2048 x 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
APPLE PRORES
ProRes 422 and ProRes 422 LT at 4K (4096 × 2160) up to 29.97 fps
ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 2K (2048 × 1080) up to 60 fps
AVID CODECS
3
DNxHR SQ and LB at 4K (4096 × 2160) 8-bit up to 29.97 fps
DNxHD HQ, SQ and LB (1920 × 1080) 8-bit up to 60 fps
TYPICAL MAX RECORDING TIME
USING RED MINI-MAG 120GB
5
5K Full Format (5120 x 2700) at 24 fps and 11:1 REDCODE: 41 minutes
5K Full Format (5120 x 2700) at 48 fps and 14:1 REDCODE: 26 minutes
4.5K 2.4:1 (4608 x 1944) at 120 fps and 15:1 REDCODE: 17 minutes
CONSTRUCTION
Aluminum Alloy
WEIGHT
3.5 lbs (BRAIN with Integrated Media Bay)
OPERATING TEMPERATURE
0°C to 40°C (32°F to 104°F)
STORAGE TEMPERATURE
–20°C to 50°C (–4°F to 122°F)
RELATIVE HUMIDITY
0% to 85% non-condensing
COLOR MANAGEMENT
Supports 17×17×17 3D LUTs
Variable number of 3D LUT outputs with DSMC2 expander module
User programmable shaper 1D LUTs
Tetrahedral interpolation, 16-bit processing
AUDIO
Integrated dual channel digital stereo microphones, uncompressed, 24-bit 48 kHz
Optional 2 additional channels with DSMC2 expander module, uncompressed, 24-bit 48 kHz
REMOTE CONTROL
Integrated R.C.P. WiFi antenna
Ethernet, RS232, and GPI Trigger with DSMC2 expander module
MONITOR OUTPUTS
3G-SDI (HD-SDI) and HDMI with DSMC2 expander module
1080p RGB or 4:2:2, 720p RGB or 4:2:2
480p RGB or 4:2:2 (HDMI Only)
SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio
MONITOR OPTIONS
DSMC2 RED Touch 4.7" LCD, DSMC2 RED Touch 7.0" LCD and DSMC2 RED EVF (OLED) with cable-free connection.
RED Touch 9.0" LCD, RED Touch 7.0" LCD, RED Touch 5.0" LCD, RED PRO 7" LCD, BOMB EVF (OLED) and BOMB EVF (LCOS) compatible with DSMC2 LEMO Adaptor A and LCD/EVF cable.
REDCINE-X PRO
DELIVERY FORMATS
4K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)
2K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)
1080p RGB 4:2:2, 720p 4:2:2 : QuickTime, JPEG, AVID AAF, MXF
1080p 4:2:0, 720p 4:2:0 : H.264, .MP4
VIDEO EDITING SOFTWARE
COMPATIBILITY
4
Adobe Premiere Pro, Avid Media Composer,
DaVinci Resolve, Edius Pro, Final Cut Pro, Vegas Pro
Tech specs reflect both current and projected information. Everything is subject to change.
REDCODE values and max frame rates may vary based on selected acquisition format, aspect ratio, project time base, Lookaround setting, and SSD. For more information on available REDCODE compression settings for all formats,
For more information on available acquisition formats,
Avid DNxHD/HR Codecs recording support added to DSMC2 firmware v6.3 or later.
Third-party non-linear editing (NLE) applications may have limited compatibility with R3D files.
Estimated recording times represent averages over the course of a typical recording to REDCODE RAW only with Pre-Record disabled and may vary depending on subject matter. It is always recommended to perform your own tests using typical camera settings and shooting conditions.
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